Susanna Fein’s long and distinguished scholarly career has helped to redefine how we understand the role of scribes and manuscripts from late medieval England. She has carried out groundbreaking research on seminal manuscripts (e.g., Harley 2253, the Thornton Manuscripts, John Audley’s autograph manuscript, and the Auchinleck Manuscript). She has written extensively on the more complex and challenging metrical forms the period produced. And she has edited foundational primary texts and collections of essays. A wide range of scholars have been influenced by Fein’s work, many of whom present original research—much of it following trails first laid down by Fein—in this volume.

Originally published in 1981, Middle English Prose is an edited collection providing an index of research and scholarship on Middle English prose. The book is split into specific thematic areas of scholarship covering such areas as editorial technique and middle English mystical prose, as well as focusing more in detail on specific prose such as Nicholas Love's Myrrour of the Blessed Lyf of Jesu Christ. Each chapter contains a collection of useful sources and an editorial analysis and description on each source. Even today, this will provide a useful and valuable resource for researchers of the medieval period.

Originally published in 1970, John Lydgate sets out to restore a sense of perspective to the work of Lydgate, not by attributing a spurious modernity as a precursor of the Renaissance, but by accepting the fact that he is fundamentally medieval. The book analyses Lydgate's background in literary tradition and compares this with Chaucer's work. The book looks at Lydgate as a professional craftsman and examines how his work adapted to the demands and occasions of his age. Without over-valuing the poetry, this approach makes it possible to discriminate with increased objectivity between the more and less worthwhile and to distinguish the unexpectedly large number of poems in which craftsman-like competence rises to rhetorical artistry of a high order. In accepting Lydgate as the epitome of his age, the book also provides a diagram of the medieval poetic mind in its basic form and suggests the usefulness of Lydgate as a source book for the understanding of medieval literature.

Originally published in 1977, Old English and Middle English Poetry provides a historical approach to English poetry. The book examines the conditions out of which poetry grew and argues that the functions that it was assigned are historically integral to an informed understanding of the nature of poetry. The book aims to relate poems to the intellectual and formal traditions by which they are shaped and given their being. This book will be of interest to students and academics studying or working in the fields of literature and history alike.

This classic and eminently readable work provides a full critical introduction to the complete Canterbury Tales. Essential reading for students of Chaucer.

Originally published in 1981, Middle English Prose is an edited collection providing an index of research and scholarship on Middle English prose. The book is split into specific thematic areas of scholarship covering such areas as editorial technique and middle English mystical prose, as well as focusing more in detail on specific prose such as Nicholas Love's Myrrour of the Blessed Lyf of Jesu Christ. Each chapter contains a collection of useful sources and an editorial analysis and description on each source. Even today, this will provide a useful and valuable resource for researchers of the medieval period.

Originally published in 1970, John Lydgate sets out to restore a sense of perspective to the work of Lydgate, not by attributing a spurious modernity as a precursor of the Renaissance, but by accepting the fact that he is fundamentally medieval. The book analyses Lydgate's background in literary tradition and compares this with Chaucer's work. The book looks at Lydgate as a professional craftsman and examines how his work adapted to the demands and occasions of his age. Without over-valuing the poetry, this approach makes it possible to discriminate with increased objectivity between the more and less worthwhile and to distinguish the unexpectedly large number of poems in which craftsman-like competence rises to rhetorical artistry of a high order. In accepting Lydgate as the epitome of his age, the book also provides a diagram of the medieval poetic mind in its basic form and suggests the usefulness of Lydgate as a source book for the understanding of medieval literature.

Originally published in 1977, Old English and Middle English Poetry provides a historical approach to English poetry. The book examines the conditions out of which poetry grew and argues that the functions that it was assigned are historically integral to an informed understanding of the nature of poetry. The book aims to relate poems to the intellectual and formal traditions by which they are shaped and given their being. This book will be of interest to students and academics studying or working in the fields of literature and history alike.

Illustrated examination of the arts and literature of European culture in the High Middle Ages—exploring the world of Chaucer, Boccaccio, Petrarch and Arthurian romances.

Fully illustrated with original plates of buildings, paintings, music and literature, the author shows the movement from a church-dominated culture to one which, by the end of the period, was much more secular, much more self-confident and inquiring, and on the point of bursting into full humanist flower. This is a truly inter-disciplinary account of Europe during this period written by well-known expert, this is cultural history on a grand scale.

This uniquely ambitious history offers an account of all aspects of cultural activity and production throughout the world of Latin Christendom 1200-1450. Beginning with a detailed description of the political and economic circumstances that allowed the 'Gothic Moment' to flourish, the body of the book is both a celebration of the Gothic cultural achievement - in cathedral-building, in manuscript illumination, in chivalric love-romance, in stained glass and in many other arts - and an investigation of its social origins and systems of production.

This classic and eminently readable work provides a full critical introduction to the complete Canterbury Tales. Essential reading for students of Chaucer.

Essays considering the relationship between Gower's texts and the physical ways in which they were first manifested. The media in which Gower's works were first transmitted, whether in print of manuscript form, are of vital importance to an understanding of both the poet and his audience. However, in comparison with those of his contemporary Chaucer, they have been relatively little studied. This volume represents a major collaboration between specialist scholars in manuscript and book history, and experts in Gower more generally, breaking new ground in approaching Gower through first-hand study of his publications in manuscript and print. Its chapters consider such matters as manuscript and book illumination, provenance, variant texts and editions, scribes, and printers, looking at how, and to what degree, the materiality of the vellum, paper, ink and binding illuminates - and even implicates - the poet and his poetry. MARTHA DRIVER is Distinguished Professor of English and Women's and Gender Studies at Pace University; the late DEREK PEARSALL was Gurney Professor of English Literature, Emeritus, Harvard University; R.F. YEAGER Is Professor of English and Foreign Languages, Emeritus, University of West Florida. Contributors: Stephanie L. Batkie, Julia Boffey, Margaret Connolly, Sian Echard, A.S.G. Edwards, Robert Epstein, Brian W. Gastle, Amanda J. Gerber, Yoshiko Kobayashi, Aditi Nafde, Tamara Perez-Fernandez, Wendy Scase, Karla Taylor, David Watt.

Winner of the 2022 John Hurt Fisher Award from the John Gower Society First comprehensive catalogue of the manuscripts of one of the most important medieval works, with full descriptions of their features. The Confessio Amantis is John Gower's major work in English, written around the time that his acquaintance Geoffrey Chaucer was writing the Canterbury Tales. Extant manuscripts are numerous. At the end of the nineteenth century G. C. Macaulay had described the forty manuscripts then known to survive in the introduction to his edition, but some of these descriptions were very brief, and of course the other nine of whose existence he was then unaware were not included. This descriptive catalogue of all of the surviving manuscripts containing the Confessio is the first work to bring together extensive detailed descriptions of its forty-nine complete manuscripts and numerous fragments and excerpts; it will enable scholars of Middle English literature and manuscript studies to compare features across the corpus of surviving manuscripts or read detailed descriptions of individual manuscripts. Each description in this catalogue covers the manuscript's contents, artwork, physical qualities such as size, material, collation, foliation, etc., as well as additions by later users and provenance. There is also a lengthy introduction giving an overview of the corpus, and appendices for reference to the current whereabouts of the manuscripts, fragments and excerpts, and listing Gower's Latin and French works that appear in some of the manuscripts. Eight colour illustrations provide context for discussions of the miniatures and illuminated borders of some manuscripts.

The genre of medieval romance examined through the lens of their physical and their metrical forms. Romances were immensely popular with medieval readers, as evidenced by their ubiquity in manuscripts and early print. The essays collected here deal with the textual transmission of medieval romances in England and Scotland, combining this with investigations into their metre and form; this comparison of the romances in both their material form and their verse form sheds new light on their cultural and social contexts. Topics addressed include the textualhistory of Sir Orfeo; the singing of Middle English romances; their rhythms and rhyme schemes; their printed transmission from Caxton to Wynkyn de Worde; and the representation of the Otherworld in manuscript miscellanies. AD PUTTER is Professor of Medieval English at the University of Bristol; JUDITH A. JEFFERSON is Research Associate at the University of Bristol. Contributors: Michelle de Groot, Judith A. Jefferson, RebeccaE. Lyons, Carol M. Meale, Donka Minkova, Nicholas Mylkebust, Derek Pearsall, Rhiannon Purdie, Ad Putter, Elizabeth Robertson, Jordi Sanchez-Marti, Thorlac Turville-Petre

A survey of the history, holdings, decoration, and conservation of one of England's finest medieval libraries, with full catalogue. The Willoughby family, from Wollaton, Nottinghamshire, built up an extensive medieval library, including the notable Wollaton Antiphonal; theirs is the largest surviving library gathered by a gentry family of the period, the product of a single acquisitive burst, beginning around 1460 and mainly completed at about the time of the Dissolution in 1540. The manuscripts remain unique because of the very substantial core which survives more or less in situ, together with a huge collection of family archives, at the University of Nottingham, just a few miles from their original home. This book focuses upon the ten manuscripts now in the Wollaton Library Collection as well asthe famous Antiphonal. Essays explore the history of the library and the Willoughby family, the books of Sir Thomas Chaworth, the art and function of the Antiphonal, the works of pastoral instruction, the decoration of the Frenchmanuscripts (including the earliest fully illustrated manuscript of romances), the Confessio Amantis, and the conservation of the collection. The essays are followed by a full catalogue of the Wollaton Library Collection aswell as of manuscripts and early printed books now dispersed as far afield as Tokyo and New York. Contributors: Alixe Bovey, Gavin Cole, Ralph Hanna, Dorothy Johnston, Rob Lutton, Derek Pearsall, Alison Stones, Thorlac Turville-Petre.

Created in London c. 1340, the Auchinleck manuscript (Edinburgh, National Library of Scotland Advocates MS 19.2.1) is of crucial importance as the first book designed to convey in the English language an ambitious range ofsecular romance and chronicle. Evidently made in London by professional scribes for a secular patron, this tantalizing volume embodies a massive amount of material evidence as to London commercial book production and the demand for vernacular texts in the early fourteenth century. But its origins are mysterious: who were its makers? its users? how was it made? what end did it serve? The essays in this collection define the parameters of present-day Auchinleck studies. They scrutinize the manuscript's rich and varied contents; reopen theories and controversies regarding the book's making; trace the operations and interworkings of the scribes, compiler, and illuminators; teaseout matters of patron and audience; interpret the contested signs of linguistic and national identity; and assess Auchinleck's implied literary values beside those of Chaucer. Geography, politics, international relations and multilingualism become pressing subjects, too, alongside critical analyses of literary substance. SUSANNA FEIN is Professor of English at Kent State University and editor of The Chaucer Review. Contributors: Venetia Bridges, Patrick Butler, Siobhain Bly Calkin, A. S. G. Edwards, Ralph Hanna, Ann Higgins, Cathy Hume, Marisa Libbon, Derek Pearsall, Helen Phillips, Emily Runde, Timothy A. Shonk, Miceal F. Vaughan.

This 1988 volume, collected here are the principal essays of Elizabeth Salter published between 1966 and her death in 1980, together with three chapters of a book on the literary culture of England in the twelfth and thirteenth centuries on which she was working in the last years of her life, and a version of her brilliant lectures on the theme of the Annuciation to the Shepherds in literature, drama and art given during those years. Elizabeth Salter is recognised as one of the most distinguished medieval scholars of her generation, particularly noted for her work on Langland and Chaucer, and on the relationship of literature and the visual arts. The strength and consistency of her views, the persistent and urgent nature of her preoccupations, and the depth of scholarship and skill of presentation, all emerge more clearly than ever in this volume.

Essays exploring different aspects of late medieval and early modern manuscript and book culture. Late medieval manuscripts and early modern print history form the focus of this volume. It includes new work on the compilation of some important medieval manuscript miscellanies and major studies of merchant patronage and of a newly revealed woman patron, alongside explorations of medieval texts and the post-medieval reception history of Langland, Chaucer and Nicholas Love. It thus pays a fitting tribute to the career of Professor A.S.G. Edwards, highlighting his scholarly interests and demonstrating the influence of his achievements. Carol M. Meale is Senior Research Fellow at the University of Bristol; the late Derek Pearsall was Professor Emeritus at Harvard University and Honorary Research Professor at the University of York. Contributors: Nicolas Barker, J.A. Burrow, A.I. Doyle, Martha W. Driver, Susanna Fein, Jane Griffiths, Lotte Hellinga, Alfred Hiatt, Simon Horobin, Richard Linenthal,Carol M. Meale, Orietta Da Rold, John Scattergood, Kathleen L. Scott, Toshiyuki Takamiya, John J. Thompson.

This series of studies, by experts in the relevant fields, comprehensively and systematically examines British book production and publishing in the hundred years before the introduction of printing. The terms 'book' and 'publishing' are usually employed in reference to the products of the printing press. This collection of essays, however, deals with the manuscript book, its materials and make-up, the people who made, commissioned and read such books, the kinds of reading matter they wanted, and the way books catered for - and created - the reading and book-buying public. Special attention is paid to the increasing systemization and commercialization of production. These essays constitute a valuable work of reference for scholars and students in a wide range of disciplines.

`Provides an excellent one-volume guide to the works of the anonymous Gawain-poet.' CHOICE The essays collected here on the Gawain-Poet offer stimulating introductions to Sir Gawain and the Green Knight, Pearl, Cleanness and Patience, providing both information and original analysis. Topics includetheories of authorship; the historical and social background to the poems, with individual sections on particularly important features within them; gender roles in the poems; the manuscript itself; the metre, vocabulary and dialect of the poems; and their sources. A section devoted to Sir Gawain investigates the ideas of courtesy and chivalry found within it, and explores some of its later adaptations from the fifteenth to the twentieth centuries. Afull bibliography completes the volume. The late DEREK BREWER was Emeritus Professor of English Literature, University of Cambridge; JONATHAN GIBSON has worked as a lecturer in the Universities of Exeter and Durham.

Fresh and provocative approaches to the literature of the middle ages, offering close readings of texts from Chaucer to Henryson, and beast fable to devotional works. Jill Mann's writing, teaching, and scholarship have transformed our understanding of two distinct fields, medieval Latin and Middle English literature, as well as their intersection. Essays in this volume seek to honour this achievement by looking at entirely new aspects of these fields (the relationship of song to affect, the political valence of classical allusion, the Latin background of Middle English devotional texts). Others look again at the literary kinds and ideas most important in Mann's own work (beast fable, the nature of allegory, the nature of "nature", the relationship of economic thought and literature, satire, language as a subject for poetry) in the poets she hasbeen most drawn to (Chaucer, Langland, Henryson). All of the essays involve close readings of the most careful kind, taking as their primary method Professor Mann's repeated injunction to attend, above all, to the"words on the page". Christopher Cannon is Professor of English, New York University; Maura Nolan is Associate Professor of English, University of California, Berkeley. Contributors: Siobhain Bly Calkin, Christopher Cannon,Rebecca Davis, Peter Dronke, A.S.G. Edwards, Elizabeth B. Edwards, Maura Nolan, Paul J. Patterson, Derek Pearsall, Ad Putter, Paul Gerhard Schmidt, James Simpson, Barry Windeatt, Nicolette Zeeman

Essays exploring Chaucer's identity as a London poet and the urban context for his writings. Literature of the city and the city in literature are topics of major contemporary interest. This volume enhances our understanding of Chaucer's iconic role as a London poet, defining the modern sense of London as a city in history, steeped in its medieval past. Building on recent work by historians on medieval London, as well as modern urban theory, the essays address the centrality of the city in Chaucer's work, and of Chaucer to a literature and a language of the city. Contributors explore the spatial extent of the city, imaginatively and geographically; the diverse and sometimes violent relationships between communities, and the use of language to identify and speak for communities; the worlds of commerce, the aristocracy, law, and public order. A final section considers the longer history and memory of the medieval city beyond the devastations of the Great Fire and into the Victorian period. Dr ARDIS BUTTERFIELD is Reader in English at University College London. Contributors: ARDIS BUTTERFIELD, MARION TURNER, RUTH EVANS, BARBARA NOLAN, CHRISTOPHER CANNON, DEREK PEARSALL, HELEN COOPER, C. DAVID BENSON, ELLIOTKENDALL, JOHN SCATTERGOOD, PAUL DAVIS, HELEN PHILLIPS

Essays on book history, manuscripts and reading during a period of considerable change. The production, transmission, and reception of texts from England and beyond during the late medieval and early renaissance periods are the focus of this volume. Chapters consider the archives and the material contexts in which texts were produced, read, and re-read; the history of specific manuscripts and early printed books; and some of the continuities and changes in literary and book production, dissemination, and reception in the fifteenth and sixteenth centuries. Responding to Professor Julia Boffey's pioneering work on medieval and early Tudor material and literary culture, they cover a range of genres - from practical texts written in Latin to works of Middle English poetryand prose, both secular and religious - and examine an assortment of different reading contexts: lay, devotional, local, regional, and national. TAMARA ATKIN is Senior Lecturer in Late Medieval and Early RenaissanceLiterature, and JACLYN RAJSIC is Lecturer in Medieval Literature, at the School of English and Drama, Queen Mary University of London. Contributors: Laura Ashe, Priscilla Bawcutt, Martin Camargo, Margaret Connolly, Robert R. Edwards, A.S.G. Edwards, Susanna Fein, Joel Grossman, Alfred Hiatt, Pamela M. King, Matthew Payne, Derek Pearsall, Corinne Saunders, Barry Windeatt, R.F. Yeager.

Essays on a variety of topics in late medieval literature, linked by an engagement with form. The insight that "the implications of textuality as such" can and must underlie our interpretations of literary works remains one of A.C. Spearing's greatest contributions to medieval studies. It is a tribute to the breadth and significance of his scholarship that the twelve essays gathered in his honour move beyond his own methods and interests to engage variously with "textuality as such," presenting a substantial and expansive view of current thinking on form in late medieval literary studies. Covering a range of topics, including the meaning of words, "experientiality", poetic form and its cultural contexts, revisions, rereadings, subjectivity, formalism and historicism, failures of form, the dit, problems of editing lyrics, and collective subjectivity in lyric, they offer a spectrum of the best sort of work blossoming forth from close reading of the kind Spearing was such an early advocate for,continues to press, and which is now so central to medieval studies. Authors and works addressed include Chaucer (The Canterbury Tales, Troilus and Criseyde, The Legend of Good Women, "Adam Scriveyn", "To Rosemounde", "TheComplaint Unto Pity"), Langland (Piers Plowman), the Gawain-poet (Cleanness), Charles d'Orleans, Gower (Confessio Amantis), and anonymous lyrics. Cristina Maria Cervone teaches English literature and medieval studies at the University of Memphis; D. Vance Smith is Professor of English at Princeton University. Contributors: Derek Pearsall, Elizabeth Fowler, Claire M. Waters, Kevin Gustafson, Michael Calabrese, David Aers, Nicolette Zeeman, Jill Mann, D. Vance Smith, J.A. Burrow, Ardis Butterfield, Cristina Maria Cervone, Peter Baker.

An introduction to Gower and his work, focusing on his sources, historical context and literary tradition; special attention is paid to Confessio Amantis. Chaucer, Gower and Lydgate were the three poets of their time considered to have founded the English poetic tradition. Gower, like Lydgate, eventually fell victim to changing tastes but is now enjoying renewed scholarly attention.Current work in manuscript studies, linguistic studies, vernacularity, translation, politics, and the contexts of literary production has found a rich source in Gower's trilingual, learned, and politically engaged corpus. This Companion to Gower offers essays by scholars from Britain and North America, covering Gower's works in all three of his languages; they consider his relationships to his literary sources, and to his social, material and historical contexts; and they offer an overview of the manuscript, linguistic, and editorial traditions. Five essays concentrate specifically on the Confessio Amantis, Gower's major Middle English work, reading it in terms of its relationship to vernacular and classical models, its poetic style, and its treatment of such themes as politics, kingship, gender, sexuality, authority, authorship and self-governance. A reference bibliography, arranged as a chronologyof criticism, concludes the volume. Contributors J.A. BURROW, ARDIS BUTTERFIELD, NATHALIE COHEN, E.H. COOPER, SIAN ECHARD, ROBERT EPSTEIN, JOHN HINES, EDWARD MOORE, DEREK PEARSALL, RUSSELL PECK, A.G. RIGG, SIMON ROFFEY, JEREMY J. SMITH, DIANE WATT, WINTHROP WETHERBEE, ROBERT F. YEAGER. SIAN ECHARD is associate professor, Department of English, University of British Columbia. The Companion can serve as an introduction to Gower and his works for the advanced undergraduate or graduate student, and the essays will also be of interest to experts in Middle English studies and in Gower.